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Anika's voice „awakens into the role of a new species after the extinction of humanity“

Updated: May 2, 2019

Anika's voice „awakens into the role of a new species after the extinction of humanity“ in Rainer Kohlberger’s dystopian experimental work It has to be lived once and dreamed twice" premiering at Belin Berlinale 2019, Shorts Category.


http://kohlberger.net/work/it-has-to-be-lived-once-and-dreamed-twice






It has to be lived once and dreamed twice

AT / DE / 2019 28min


Written&Directed by Rainer Kohlberger Narrated by Annika Henderson Sound composed by Peter Kutin


Experiments in perception are being conducted in a wonderland of damaged images. It has to be lived once and dreamed twice commences with white noise and machine droning, gray video static and colorful distortion artifacts — in essence, with the beauty of electro-magnetic interference signals. Rainer Kohlberger conceived his work as a post-apocalyptic science fiction film, its story unfolding after the sixth great mass extinction has succeeded in wiping out the human race. A civilization of replicants bioengineered by Homo sapiens before they died out is now taking over the otherwise uninhabitable earth. A murmuring voice off-screen attests to this while reporting confusion over its own genesis and existence, time and again inundated by Peter Kutin’s multifaceted sound design.

The basis of this work is constituted by flashing phantom images and ghostly digital scenes in which water surfaces and natural sites are vaguely discernable as shadowy figures appear and disappear: Kindred to cinema, the ghosts in the machine make their perpetual rounds and serve as a distant reminder of the vanished human beings. Kohlberger’s permutating abstractions render kaleidoscopic and hieroglyphic textures and envision toxic landscapes. The viewer travels through cellular cultures or stellar nebulae, through microcosms that seem to mirror the macrocosm – the universe.

It has to be lived once and dreamed twice tells of the imminent hegemony of artificial intelligence, of mind and body, electricity and computer, spirituality and technology, and the age-old narrative of love and fear. »The mind is a strange loop«, reality is only an idea. A future world uninhabited by human beings provides perspective on an era of hysterical images. Was the world merely a lucid dream? (Stefan Grissemann)

Translation: Eve Heller

Distributed by sixpackfilm


https://www.berlinale.de/en/programm/berlinale_programm/datenblatt.html?film_id=201912221%3Ca%20href=

‘In the sixth great mass mortality of the earth, humankind became extinct. Their technology had recently progressed so far as to deconstruct the algorithms of evolution and allow artificial life to develop on Earth. New life awakens, learns to see and tries to understand. It discovers the film history of humankind and through reflection thereof, begins to gain an awareness of itself and to believe in their gods. The artificial character goes to the cinema so to speak, where we collectively see images produced with machine learning and other image analysis algorithms used against the grain. The belief that we and our world cannot be solely reduced to matter, that there is in fact another form, is deeply inscribed in our own program and defines our thinking. Does nature calculate on the basis of the stuff that makes up our universe, or is the universe the result of calculations? Is the existence of numbers independent of one's own consciousness, or are they fictional? Are mathematical objects and their concepts created in the same way in which we tell stories? It has to be lived once and dreamed twice,’ comments Rainer Kohlberger

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